Haruomi Izumi is a successor of “Nihonga,” the Japanese-style painting which has been practiced over centuries. The word Nihonga was developed as the opposite or counter word, to the word Yo-ga, or Western painting, and is often characterized by the use of traditional materials such as mineral pigments, a binder made of animal glue, washi paper, as well as the choice of subject matter such as nature and animals. Izumi studied Nihonga at Tokyo University of the Arts. Izumi’s signature works, including Yukoku (The Scarlet Hour) and Sokoku (The Blue Hour), depart from traditional Nihonga and combine surreal color with obsessively repetitive patterns of trees. In this way, Izumi creates deeply textured scenes that encompass their surroundings and engulf the viewer with their rich aura.

“Nature has a perfect beauty and I don’t find it interesting to only copy it in my painting,” says Izumi. "I pursue new beauty by eliminating randomness and creating patterns from a single motif and then simplifying elements I find in nature.” Izumi’s works are included in the collections of The Sato Sakura Art Museum, Chiba Bank, Keiyo Bank, and Hulic Co., Ltd.