PAST EXHIBITION

ROSE MORANT: POND

JANUARY 7 - MARCH 20, 2021

Photo by Guillaume Ziccarelli

SEIZAN Gallery New York is pleased to present Blue Hour, the first solo exhibition of Haruomi Izumi. Izumi is a forerunner of the Nihonga school. This group is comprised of contemporary painters who have achieved mastery of a unique set of traditional materials, techniques and subject matter developed in Japan for over a thousand years. Born in Chiba, Japan, after graduating from Tokyo University of the Arts, Izumi quickly became a young star amongst this large community of artists, scholars, and collectors pursuing traditional Japanese-style painting. 


On the occasion of his first major solo exhibition outside of Japan, Izumi presents his signature “Hour” series. These landscape works are composed of obsessively detailed repetitions of white trees against a background of vivid ultramarine, crimson or oxidized gold leaves. With this series, Izumi challenges the notion of naturalism, typically a preferred subject of Nihonga artists. “Nature has a perfect beauty and I don’t find it interesting to merely copy it in my painting,” says Izumi. “I pursue new beauty by eliminating randomness and creating patterns from a single motif and then simplifying elements I find in nature.”


Izumi produces the meticulous “Hour” series using pigments made of precious minerals or sea shells mixed with animal glue, a traditional binding called “nikawa.” He uses mulberry washi paper and the finest hand-made brushes for the painstaking process of painting every stroke. With these traditional materials and tools Izumi creates stylized scenes which reference contemporary design, yet are deeply textured and rich in materiality. His landscapes transcend the tradition, and keep pushing forward the notion of Nihonga. 


Izumi’s works are included in the collections of Chiba Bank, Keiyo Bank, and Hulic Co., Ltd. 


The artist will be present at the opening reception on Friday, March 6, from 6:00 to 8:00 pm. The exhibition catalog is forthcoming in early April.

SEE AVAILABLE WORKS ON ARTSY

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"POND, BENEATH THE SURFACE”

Essay by Constance de Monbrison (Head of Insulinde Collections, Quai Branly Museum, Paris)
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« POND, CE QUI NE SE DONNE PAS À VOIR »

Un essai de Constance de Monbrison (responsable des collections Insulinde, musée du quai Branly, Paris)
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INTERVIEW WITH ROSE MORANT
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